The beadwork tradition began to flourish during the restrictive times of the Reservation Period. Deeply rooted in the basketry traditions, skilled artists moved from geometric basket designs to floral motifs. Creativity and individuality is a Plateau cultural value that began to be expressed in beaded story bags and regalia. Beadwork became a way to show identity and to maintain culture. Each beaded piece is unique, holding meaning for the person who made it and for the person for whom it was made.
The beading tradition is deeply woven into the fabric of family life. Traditionally made by Grandmothers to be given to family members and trading partners, contemporary artists are continuing and expanding the tradition. Master bead artists Maynard White Owl Lavadour explains “Spirit Circles” are his contribution for his generation. Brigette Scott shows the cradleboard she made for her daughter, “to surround her in beadwork so that one day she may be a great bead artist.” Nakia Williamson tells us the beadwork held within the families carries special meaning, “they truly are our history.” Warm Springs artist Rose Scott tells us, “In the Indian way, when you give that special piece, it’s a way to heal your heart.” The interviews are intercut with dances, parades, rodeo and celebrations, showing how the beadwork functions within the community.